The John Jorgenson Bluegrass Band, features four legendary musi ians ‐‐ John Jorgenson on guitar and
mandolin, Herb Pedersen on banjo, Jon Randall on guitar, and Mark Fain on bass. Jorgenson and Pedersen are
founders (with Chris Hillman) of the formative country rock band: Desert Rose Band.
After working as a freelance musician in Southern California including a residence at Disneyland, Jorgenson met
Chris Hillman and soon formed the Desert Rose Band. In 1990 he went on to found the Hellecasters and toured
with Elton John's band for six years. Artists ranging from Barbra Streisand to Bonnie Raitt to Earl Scruggs have
sought out Jorgenson's guitar work. John Jorgenson portrayed Django Reinhardt in the Hollywood feature film
"Head in the Clouds." In 2008 Jorgenson won a Grammy for Best Country Instrumental with Brad Paisley and was
nominated for Best Bluegrass Album with Earl Scruggs.
Herb Pedersen was a member of legendary bluegrass band The Dillards as well as bluegrass super‐group Old and
In the Way and the Laurel Canyon Ramblers. A sought after singer and musician, he has worked with such music
legends as Chris Hillman, Earl Scruggs, Gram Parsons, Emmylou Harris, Tony Rice, Dan Fogelberg, Stephen Stills,
Linda Ronstadt, Kris Kristofferson, John Prine, Jackson Browne, Smokey Grass Boys, The New
Kentucky Colonels, and John Denver.
Jon Randall first gained recognition as guitarist for Emmylou Harris' band, the Grammy‐winning Nash Ramblers.
He has written hit songs for Brad Paisley, Alison Krauss and Travis Tritt, including “Whiskey Lullaby,” the CMA
Song of the Year in 2005 for Brad Paisley and Alison Krauss (co‐written with Bill Anderson). He has toured with
Earl Scruggs and Sam Bush and recorded with Emmylou Harris, Lyle Lovett, Linda Ronstadt and many others.
Mark Fain toured and recorded as bass player for Ricky Skaggs and Kentucky Thunder for 13 years. He’s also
toured and recorded with Alison Krauss, Dolly Parton, Alan Jackson, and Dwight Yoakam as well as producing
many artists in bluegrass, jazz, country, and gospel genres.
Max Schwartz was born in Boston and currently lives in Berkeley, CA. After moving to the Bay Area, he had the opportunity to learn to play bluegrass music. He started on guitar in a five-piece, family bluegrass band called Oak Grove. Since his dad also played guitar in the band, he decided to switch to banjo for the sake of having five different instruments, and in addition learned to play the fiddle and the bass. Soon after learning to play bluegrass, Max participated in the "Kids on Bluegrass" program under the direction of Frank Solivan Sr., where he met AJ Lee and Marty Varner, two of the most well-known young players in California. With them, alongside his brother Nate, he founded the acoustic quartet, Obviously Minor Guys & a Girl, more commonly known by the abbreviation "OMGG". Together they were invited to Nashville in 2009 and 2010 to perform at the International Bluegrass Music Association's (IBMA) FanFest with some of the most talented bluegrass teenagers from across the country. They released an album in 2011, and had been on hiatus since September of that year, reuniting for two performances in June of 2015 and to record three new original songs, available on Soundcloud. In the past couple of years, Max has been playing as a member of Laurie Lewis and the Right Hands, and has played with her many times, including at the 2015 Hardly Strictly Bluegrass Festival.
Max Schwartz & Pals is Max Schwartz on bass, banjo and vocals, Nandi Forrest (pronounced "nun-dee") on guitar and vocals, Helen Foley on dobro, bass, and voclas; AJ Lee on mandolin, fiddle, and vocals.
Rita Hosking writes and sings classic country-folk originals. Her songs sound like they’ve been around for a while – and deserve to stay around a lot longer! Rita grew up in Northern California – in a haunted house on Hatchet Mountain, according to a story she told NPR’s Weekend Edition – and now lives in Davis. “She's been called the best kept secret in country-folk,” says the British newspaper the Daily Mirror, “and her razor-sharp songs and great live performances bear out the claim.” Acoustic Magazine praises her “timeless, unhurried elegance.” She’s released an album every two years since 2005, including her sixth and latest, Frankie and the No-Go Road, which The Guardian describes as “a reckoning with hope, disappointment, and hard-won wisdom,” bringing together “archetypal psychology and country music” to make “one of Americana’s finest concept albums,” showcasing Rita’s “sure musical touch and distinctive homespun vocal style.”